MentalGator

Mentalacrobatics'aggregator


About The layout

Two column layout (can be reduced to one, could be thought of as three if you count the vertical toolbox on the right) that provides simple presentation with extensive customization; not just for the developer, but for the user. The toolbox showcases the power of stylesheet switching. Users can pick their own color, font type, font size, and even dictate what style of layout they view your web page in. Navigation is kept brief and easily accessible at the top of the page, allowing for a wider area in the content region. A min/max width allows you to control your layout, but remain flexible for low resolution users.

Aggregated Blogs

Where does this show up?

Strobist (100 unread)

 
  • SaxonPC Grids: Straddling Store-bought and DIY

    Posted: May 17, 2012, 8:39 am

    Like McNally says, if you want to make something more interesting, don't light all of it. And to that end, I use grid spots a lot. In fact, probably just as often as I use umbrellas.

    My workhorse speedlight grid has long been the HonlPhoto 1/8". But for those looking for a lower entry point (or more extreme beam widths) SaxonPC grids offer a second choice.

    They are both designed to be used on speedlights, but take very different approaches from there. Today, a head-to-head comparison to help you decide which best suits your needs. Read more »
  • Anatomy of a Project: Miller Mobley's Re-enactors

    Posted: May 14, 2012, 6:39 pm

    When I worked at The Sun, a lot of emphasis was put on always having multiple projects in the hopper. Self-generated projects are the lifeblood of any good paper, and they promote exploration and serendipity.

    Since I have gone out on my own, I can honestly say projects have the single most important vehicle for developing my photography. I always have at least one on the front burner, with a couple more in the on-deck circle.

    When my friend Miller Mobley tweeted last week about his series of U.S. Civil War re-enactors, I reached out to him to see if he could give us a little BTS — not only into the photos and lighting, but into the process of his project as well. Read more »
  • Q&A: C-Stands

    Posted: May 10, 2012, 4:00 pm
    Several people asked about the C-stand (short for century stand) that I used on the Rosco OA posted on Monday.

    Long story short, after spending 2 months on the road with McNally and crew last year, I have become a convert. If you have never used a C-stand, and/or are considering getting one, here's what you need to know. Read more »
  • Always Bring a Model Release

    Posted: May 7, 2012, 4:00 pm
    I try to be pretty open with this blog. Sometimes I get it right, and sometimes I screw up royally.

    A recent shoot I did for Rosco is a good example of both.

    Read more »
  • Royce Bair's Night-Lit Landscapes

    Posted: May 3, 2012, 4:00 pm

    There are no AC plugs near Delicate Arch in Grand County, Utah, where Royce Bair made this night landscape shot. So all of his flashes needed to be battery-powered to illuminate the 20-meter tall formation.

    Two of his light sources were Norman 400B's, weighing in at 6 lbs and from which he needed a total of 48 pops to make the image.

    But his Big Gun required only two pops to balance with the Normans. That 110,000 lumen light source weighed about a pound, all-in. And it ran off of a 9-volt battery. Read more »
  • On Assignment: Trattoria / 360

    Posted: April 30, 2012, 4:00 pm

    Having eaten at this restaurant often enough to put these guys' kids through college, I recently photographed brothers Gianni (left) and Carlo Morra at one of their three local Italian trattorias.

    It is a simple picture, but there is much more here than meets the eye.

    So keeping with last Thursday's talk of photo ecosystems, let's go a little more 360 on this one than just the typical lighting BTS. Read more »
  • Thinking Out Loud: Creativity

    Posted: April 26, 2012, 7:30 am
    As a site that explores photography through the lens of lighting, Strobist is necessarily overweighted in technique. But technique as an end to itself is almost certainly doomed to yield boring, meaningless photos.

    So today, a short detour to explore the different facets of creativity. Because they are all important, as is recognizing your strengths and weaknesses in each area. Read more »
  • Shimada Yohei: Close to Home

    Posted: April 23, 2012, 4:00 pm
    Photos ©Shimada Yohei

    By Irwin Wong -- Nara, Japan -based commercial photographer Shimada Yohei’s Workman series involves lit, cinematic portraits of everyday tradesmen at the local level. Today, a look at how he creates the images — and the importance of the self-generated project. Read more »
  • Control Flare from Sun, Rim Lights with a Shoot-Thru Gobo

    Posted: April 19, 2012, 4:00 pm

    Just a quickie today on the whys and whens of using a single, small shoot-thru shade to completely control contrast-killing glare when shooting into backlight. Read more »
  • On Assignment: Night Soprano, Pt. 2

    Posted: April 16, 2012, 4:00 pm

    Here's the lighting layout from Part 1 of this shoot of mezzo soprano Alexandra Rodrick.

    The lighting diagram is overlaid on a satellite image of the neighborhood, because the fill light and accent lights are actually two houses away from each other. And one of them is not even outside... Read more »
  • Okay, So I'm a Little Addicted to This Virtual Lighting Studio…

    Posted: April 13, 2012, 12:49 am
    Who's the creepy bald dude with the soulless eyes staring out at you right now? He's a computer rendering that I lit on the web-based Virtual Lighting Studio.

    Yeah, he may look a little like a mass murderer. But he's your mass murderer, to light any way you like by playing with knobs and buttons at VLS.

    On the one hand, I just blew 20 mins playing with this thing. On the other, pretty sure this guy is gonna kill me in my dreams tonight.

    -30-
  • On Assignment: Night Soprano, Pt. 1

    Posted: April 12, 2012, 3:25 pm

    One of my goals over the last year has been to push against the boundaries a little more, both creatively and technically. This portrait of mezzo soprano Alexandra Rodrick is a good example of that, so I thought we'd do a full 360-view with a two-part OA.

    Today, we'll pre-think the lighting in theory (as before a shoot). In Part 2, we'll walk through the specifics as it was done. Read more »
  • Ryan Brenizer's Panoramic Portraiture

    Posted: April 9, 2012, 4:00 pm
    All photos ©Ryan Brenizer. Click on any pic for bigger.

    New York City-based wedding photographer Ryan Brenizer has so-perfected the art of stitched portraiture that the technique has become associated with his name. You know, kinda like the Heimlich Maneuver.

    Take this image for example, done quickly on the fly at a wedding with a 35mm lens @f/1.8 and a single small light source. It's a technique that is particularly suited to small-flash photography – and to photographers who like to tote a minimal amount of lighting gear. Read more »
  • Hard Light and Soft Glass: The Dirty Diana

    Posted: April 5, 2012, 8:20 am

    First, a clarification. That's not Diana above. That's Robin Massie-Jean, a violist I photographed for the Howard County Arts Council.

    The Diana in this photo is the lens. And really you can't even call it soft glass, because it's, well, plastic. Read more »
  • Home Depot Homebrew of $643 Profoto Globe Saves You Enough to Buy a Paul Buff Einstein to Put it On

    Posted: April 2, 2012, 4:30 am

    For the second time in a week, a Paul Buff mod that is so simple I wonder why I hadn't thought of it earlier. This one is via Houston-based photographer Stephen Hébert.

    This Home Depot version of the famed Profoto Globe will set you back all of $10. I have seen people hacking these for Profoto lights using SP-systems mounts and/or gaffer's tape. But the fact that they mount right to an AB or Einstein is, like, poetic justice or something.

    If you are really slick (and handy) you might want to try to drill some holes around the base for heat venting. And I am guessing the color temp is, er, "close enough."

    But having enough money left over from the savings to buy the actual flash (and an additional $130 in other accessories) is icing on the cake.

    -30-
  • The Ambitious April Fool's Joke That Almost Was

    Posted: April 1, 2012, 7:00 am
    ©David Daniels

    As I post this, we are entering into April Fools' 2012 territory. Believe nothing you read on the web today.

    Personally, I love April Fool's. So much so that I would never post one every single year here on Strobist. Oh, I wanna. But I'd worry that we'd fall into that "it's expected" rut as have Google, NPR and the like.

    That said, in 2010 I came this close to pulling off a duesy... Read more »
  • Cold Shoe Your Monoblocs for Better Radio Performance

    Posted: March 29, 2012, 4:00 pm

    Here's an idea that is so simple I am surprised it did not strike me sooner.

    It's one of several neat little design improvements in the new Einsteins, but it never occurred to me how cheap and easy it would be to retrofit my old AlienBees. Read more »
  • A Little Grecco-To-Go for Your Tablet

    Posted: March 26, 2012, 5:00 pm

    Michael Grecco's Lighting and the Dramatic Portrait has been one of my favorite lighting books since it was released back in late 2006. That was far enough back to where publishers were not yet insisting on all of the e-Rights. So Grecco has done what any smart photographer would do, and has just co-released LatDP as a multi-platform eBook.

    In fact, just thinking about all of the amazing photo books that were published before e-Anything makes me realize there is a huge i-Library just waiting to happen. And in a way which will see the royalties go where they rightly belong.

    On top of that, we can support photogs directly (no offense, 90%-taking mega-publishers) while toting around a bucketload of inspiration on our tablets, phones, pods, etc.

    In honor of the new LatDP medium, I asked Michael if he would give a little extra BTS on one of my favorite images from the book. You know, a lil sump'm sump'm just for us.

    And he did… Read more »
  • The 2012 GPP Shootout Video is In...

    Posted: March 25, 2012, 2:45 am


    You've already seen the post mortem and final pics from this year's Gulf Photo Plus shootout. But now the official videotape version of Martin Prihoda and yours truly getting our butts kicked by Mr. Heisler is live, for your entertainment.

    Oh, and hit the jump for a slideshow of student work from 2012... Read more »
  • Small, Cheap and Underappreciated: Spill-Kill Reflectors

    Posted: March 22, 2012, 4:00 pm


    I acquired my first spill-kill reflectors by accident. There were two, included in a set of used Profoto Acutes I bought from a dentist. (One of them is pictured above, at left.)

    My first thought: These things are useless. Should I throw them away or try to sell them on eBay?

    But these days, I generally do not stick a studio head into an umbrella without one. Read more »
  • Non-US Readers: Your New Country-Specific URL for Strobist

    Posted: March 22, 2012, 3:59 pm
    Canadian reader Eros Peterson tweets:

    I type in [www.strobist.com] from work, and I get forwarded to [strobist.blogspot.ca(?)] Office firewall blocks says it's an XXX site!

    Alas, we are still PG-rated here. But you are running into Google's new country-specific redirects, which your company's IT department is misclassifying. (Imagine that.)

    For foreign readers, here's what's going on -- and an easy workaround if your corporate IT folks are blocking the site. Read more »
  • It's Not a Camera, It's a Visa

    Posted: March 19, 2012, 7:00 am

    Of all of the things that I have learned from McNally, I think this is the one has stuck with me the most: Cameras open doors to new experiences and friendships. Or as Joe likes to say, "It's not a camera, it's a visa."

    A few years ago my camera allowed me to meet two people who would go on to become good friends. Fast forward to last Sunday, when the three of us found ourselves 8,000 miles from home, meeting new people with our cameras all over again. Read more »
  • Q&A: Lighting Multiple People with Glasses

    Posted: March 14, 2012, 4:00 pm
    After reading the Lighting 101 post about lighting for glasses, Z9Girl asks:

    "What if I were photographing an older couple for their 50th wedding anniversary and they both wear glasses? Of course there's always the natural light option, but if it has to be indoors with soft boxes or flash, what to do?"

    Read more »
  • Shootout in the Desert, Round Three

    Posted: March 10, 2012, 10:55 pm

    Some advice is as good as it is self-evident: Don't whittle towards yourself. Don't pee into the wind. Don't enter into a land war in Southeast Asia.

    And to that I can now add: never, ever go up against Gregory Heisler in the Gulf Photo Plus Shootout… Read more »
  • Today on the Lighting Porn Channel…

    Posted: March 8, 2012, 4:00 pm
    …photographer Amber Gray shows us how to stop wasting so much time on retouching. All it takes is the right lighting gear.

    The Broncolor setup will set you back, oh, about twenty gees by the time you are done buying the pack, head and Para reflector. But think of the time you'll save at the retouching station! Read more »
  • On Assignment: Caleb Vaughn-Jones, Act Two

    Posted: March 5, 2012, 4:00 pm

    Two years ago I first photographed an outstanding young cellist named Caleb Vaughn-Jones. Caleb is exactly the type of person I partnered up with the Howard County Arts Council to meet, and I was very pleased when he emailed back a few months ago to commission another set of photos.

    Nothing fosters creativity like collaborating with creative people. He's been doing some amazing work since 2010, and I was excited to get to work with him again. Read more »
  • Canon 600EX-RT Speedlite and ST-E3-RT Transmitter: Yep, It's Radios

    Posted: March 2, 2012, 2:19 pm
    Photo © Syl Arena

    I'm on the road with spotty 'net (and also a Nikon guy, so there's that). But Syl Arena has been playing around with the just-announced Canon flash and radio transmitter. Here's the five-word version of Syl's review:

    "Canonistas, hold your heads high."

    Well, then. Looks like Canon has uncorked a very sophisticated and robust flash system for discerning photographers who like their photos well-lit, if not quite in focus. (Kidding! Mostly!)

    Check out Syl's evolving coverage of the new system.

    __________

    [UPDATE: Official price for the Canon 600EX-RT speedlite was set at: 1 Paul Buff 640WS Einstein + 8" hi-output reflector + 2-grid set + 64" soft silver PLM + 64" diffusion fabric.]

    -30-
  • Leap Day Giveth, Delta Taketh Way

    Posted: February 29, 2012, 6:24 pm

    I had hoped to be landing in Dubai for GPP 2012 right about now, but our mechanically challenged plane yesterday objected. Rather theatrically, I might add.

    So instead, I'm encamped next to the airport in Atlanta at a hotel sufficiently downmarket to have free wifi. So that's something good, I suppose.

    To that end, my homage to Andrew Hetherington's ongoing Room With a View series. But cool as those photos are, he never tells you the lighting details. So we can at least accomplish that much today. Read more »
  • How to Avoid Dealing With the Police When Shooting in Public

    Posted: February 27, 2012, 8:30 am

    Are you a photographer in the US? Congratulations. In the eyes of some of your more dimwitted fellow citizens, you are now potentially a member of al Qaida.

    Thanks to ridiculous government posters like the one above, people are now conditioned to be suspicious of photographers. And photographers using flashes on location are all the more noticeable to people who are predisposed to phone in anything out of the ordinary, just in case.

    Don't think so? True story: I actually had an interaction with the police for photographing … a maple tree. Read more »
  • Michael Grecco for Psychology Today

    Posted: February 23, 2012, 4:00 pm


    Here's a cool, ~1-minute time-lapse that offers some neat ideas. Grecco uses an undersized set and some oversized creativity to create a conceptual cover photo for Psychology Today.

    It's quick, and some details are easy to miss if you don't hit pause. (Watch it full-screen on 1080p for best effect.) But the lighting is one out-of-frame boomed box on the background, a top-of-frame box for key and a ring for fill.

    Note that after the model is done, he shoots the grass and flowers separately for an easy strip-in with a locked-down camera position. (Final image is shown in close at the 0:38 second mark.)

    Props to Grecco for his steady stream of BTS vids from many of his shoots. If you have not seen them, here are some others:

    :: Grecco Shoots Will Ferrell ::
    :: Grecco Shoots Martin Scorsese ::
    :: Grecco: Guerilla Shooting in LA ::

    -30-
  • PocketWizard Plus III's: More Trigger, Less Cash

    Posted: February 20, 2012, 7:00 am

    (Click pics for bigger versions.)

    UPDATE: Pre-orders are now live, for a projected mid-March availability.

    A couple of years back, as PocketWizard were rolling out increasingly complex remotes featuring wireless TTL and HyperSync and everything else, I sent an e-mail to one of their engineers.

    Basically, it said that if you want photographers to love you long time, release a stripped-down "cadet" model that is as reliable as a Plus II, but at a lower price. Because in the end, what we want is rock-solid triggering and non-obsolescence -- at a lower entry point (amirite?)

    Turns out they were listening, if only half-way. Because the PocketWizard Plus IIIs are coming, and they are $30 cheaper than the PW Plus IIs.

    But stripped down, they ain't. Not by a long shot. Read more »
  • Richard Avedon: Darkness and Light

    Posted: February 16, 2012, 5:00 pm
    From the American Masters Series, this outstanding documentary on Richard Avedon was originally aired in 1995.

    It's an intimate, hour-and-a-half long journey into the mind of one of the most important photographers of the 20th century, and it's brilliant. Read more »
  • B2B: One Big Top Light

    Posted: February 13, 2012, 4:00 pm

    We're back to basics today -- looking at working with a single, large source and how to tweak it.

    Five years ago, I mostly thought of large sources in a "45-degrees-up-and-over" kind of way. Safe? Yes. But now, that kind of stuff all looks the same to me. So I almost never use them that way. Read more »
  • How the Other Half Lives: George Holz' Beyoncé for Spin

    Posted: February 9, 2012, 7:00 am
    Photo © George Holz

    You know how people on the Strobist Flickr group like to talk about how it is technically possible to shoot blow-away white with just one flash?

    Yeah, this is not exactly that.

    Hit the jump for a walk-thru vid for the (ahem, eight-light) shoot, including a key light combo that you're prolly gonna want to rent rather than buy next time you are assigned to shoot Beyoncé. Read more »
  • Lighting Inside the Box

    Posted: February 6, 2012, 4:30 pm

    After 15 years of long-term planning (and saving) Susan and I finally took the plunge with a full kitchen remodel. We were really pleased with the results, and at some point I had promised the contractor a nice photo of the final product.

    In a room like this you are basically illuminating the inside of a box by using hidden lights, which turned out to be an interesting exercise. And it's something I would recommend for just about any photographer. Read more »
  • Core Knowledge: Working With Remotes

    Posted: February 2, 2012, 4:00 pm
    There are two things you should always remember about radio remotes:

    One, radio can be fickle. This is true whether you are using your time-honored PocketWizards or a brand new Chinese offering.

    Two, radio waves -- and success with your remotes -- are all about the physics. So a little knowledge can go a long way toward ensuring good range and reliability.

    Some basics that every lighting photographer should know, inside. Read more »
  • Tyler Stableford: Dispatches From the Underground

    Posted: January 30, 2012, 4:00 pm

    Aspen, Colorado-based photographer Tyler Stableford generally shoots action and adventure, most of it aboveground. But this shoot for Timberland PRO would send him a half-mile deep into the earth.

    That far down, before adding light it is absolutely pitch black. As in, you cannot see your hand in front of your face. And the lights the miners use while extracting coal there aren't much friendlier -- low-level, and a mix of tungsten and fluorescents.

    So Stableford shot the entire campaign working on the edge of the quality envelope, and lighting with only a few speedlights. Read more »
  • Q&A: Dealing with Glare from Dark Wood Backgrounds

    Posted: January 26, 2012, 4:00 pm
    Reader Jefferson, from California in the US, asked via Twitter:

    "How do you deal with glare on dark wood in background for portraits? Is this covered in Lighting 101 or 102?"

    Actually, it is covered in L102, if a little obliquely. And yes, pretty much any time you light into dark wood as a background you are gonna get some blowback.

    But rather than look at this as a problem, I prefer to think of it as a featureRead more »
  • Ono Shouichi: The Spirit of a Century

    Posted: January 23, 2012, 8:30 am

    Photos © Ono Shouichi

    By Irwin Wong -- Multi-light setups, gear reviews and lighting tricks are all worthwhile food for thought. But when people are looking back at your life’s work, will you be remembered for your lighting or for what you tried to tell the world with your camera?

    In a long-spanning portrait series, Tokyo-based editorial photographer Ono Shouichi has (to date) photographed two hundred Japanese centenarians. The lighting, while there, is subordinate to the message. As it should be. Read more »
  • QA: Down the Phase One Rabbit Hole

    Posted: January 19, 2012, 8:10 pm
    There were a few misconceptions (and a LOT of questions) that popped up in the comments after I wrote about ditching the D4 for a used Phase One camera and back.

    Videos, answers to Q's and some specific things that convinced me to make the jump, inside. Read more »
  • Kodak Files for Bankruptcy

    Posted: January 19, 2012, 5:27 pm


    On the day when just about every photographer over 30 pauses to consider Kodak's filing for bankruptcy, a poignant video. The once-dominant company obviously knew it was already in trouble at this point, but still came out swinging in a refreshing appeal to the future.

    Considering this was made in 2006 (and how quickly things have happened since) the video was pretty darn prescient. In the end, all of these things did happen. Just without the need for Kodak.

    -30-
  • On Assignment: Dude for LumiQuest

    Posted: January 16, 2012, 7:31 pm

    I shot the original ad for the LumiQuest Soft Box III back in 2008, using a pre-production sample. I love that light mod, and use it all of the time.

    So when Quest Couch asked me to shoot a second version for the bigger LTp and left the subject matter up to me, I eagerly started looking for a subject. Read more »
  • Gulf Photo Plus 2012 is Live: See You in Dubai

    Posted: January 15, 2012, 4:35 am

    The best part about facing the oncoming winter in Maryland is knowing I am gonna bail for a week of 80-degree days in Dubai at Gulf Photo Plus. It's my favorite annual photo event of all, and the only teaching gig I am planning for the whole year.

    Heisler's coming back. Dave Burnett is coming. Martin Prihoda, too. And of course many of the regulars will be there. On top of that, I'm especially excited to be teaching a completely different set of classes this year. Read more »
  • A Few Pointers on Beauty Photograph

    Posted: January 12, 2012, 4:00 pm
    Ed. Note: For obvious reasons, do not try this at home without using extreme care. I'll say it again: do not try this at home without using extreme care. Seriously, kid. You'll put your eye out. -DH

    Photos ©Ludovic Taillandier

    By Sara Lando -- Paris-based photographer Ludovic Taillandier (NSFW-ish) specializes in advertising, fashion and beauty. (And occasionally, apparently, novelty electronics.) Today, a look at the making of his futuristic Tronized Beauty series. Read more »
  • BTS: Time Magazine's Protesters

    Posted: January 9, 2012, 6:36 pm
    Seldom do we get such a long-form look at the production of what is quickly becoming an iconic group of photos. The BTS video below is of Peter Hapak's assignment to cover the world-wide protester phenomenon in 2011, for the Time cover story in which they were collectively named Person of the Year.

    I have watched it several times now -- as a journalist, a photographer, a lighting guy and certainly as a human.

    There's a lot to learn. Read more »
  • Bailing on the Nikon D4

    Posted: January 6, 2012, 11:36 pm
    UPDATE: I answered many of your questions about the post below, here.

    -DH
    __________


    Apologies for slightly off-topic post. But given my gear path to date, this is not exactly one I was gonna slip under the rug. I think every long-term photographer has an interesting and very personal journey leading to their current gear bag. Here's mine.



    It was almost 30 years ago, but still remember the first day I stepped into the Nikon pro flagship line. At the time I owned a Nikkormat FTN, a 50/2 and a 200/4. And then I saw the ad in the classifieds of the Eustis News. Some guy was selling a Nikon F, with a full bag of pro lenses, for like $600. I couldn't afford it.

    But my friend and fellow photographer John Ashley was also a young Nikon shooter, having gotten a job at the local Leesburg Daily Commercial right out of high school. And he was looking for some gear, too.

    As luck would have it our needs were almost complimentary. So we pooled our money (mine from mowing lawns) and bought the bag together, divvying up the spoils. I forget all of the split details, but I think I walked away with a 24/2.8, a 105/2.5, a 300/4.5 -- and a Nikon F body. It was the happiest day of my life up to that point. I now owned a Nikon flagship camera and bag of lenses -- if only the 13-year-old versions.

    Since then I have worked as a photojournalist with the F2, F3, F4 and F5 before switching to digital. Then it was the D1, the D2 and D3. So the decision to switch horses rather than go with the D4 was a big deal for me. Read more »
  • Layer Slayer Dave Hill Peels the Onion at Valio Con

    Posted: January 5, 2012, 6:00 pm
    More than a few of you can kiss your productivity goodbye for the next hour. From a tech/creative conference last summer comes this long-form video of a presentation by LA-based photographer Dave Hill.

    It's a straight video grab from the conference room, so there is no contrast in the images. But still, great stuff. In the full-length vid after the jump, Dave talks about bootstrapping, five-finger optical discounts at prop shops, hand drawing curly beards on dudes in Photoshop and even his very first composite portrait. Read more »
  • Lighting in the Wild

    Posted: January 2, 2012, 8:00 am

    Living at the edge of the woods is like living next to a zoo. We get a nonstop stream of animal visitors, perhaps none more majestic than this eight-point white-tailed deer.

    Mature bucks are notoriously very crafty and skittish. That's how you live long enough to be a mature buck. But this guy visits us regularly, and has become a little more acclimated to the sound of my shutter release.

    Enough so, that I am starting to plan how I am going to light him … Read more »
  • Another Year Passes in a Flash

    Posted: December 26, 2011, 6:01 pm

    The last week of the year is special, and one to be taken advantage of. I spend it balancing time between family/friends and looking back at the past year while preparing for the next one.

    There are some cool things lined up for 2012 already, but today's post is about looking back. Herewith, the favorite posts of 2011 -- mine, and yours... Read more »
  • Shooting Holiday Lights, Redux

    Posted: December 20, 2011, 4:00 pm

    A lot of you have been tweeting or otherwise sharing the 2006 post on How to Photograph Christmas Lights (thanks!) so I thought it merited a refresh. Included are updated photos, tips on dealing with LEDs and a video that should totally make sense to your your point-and-shoot friends.

    We are hunkered down and in full-bore holiday mode -- including, as seen above, a trip to cut down our tree the other evening. Strobist will be back the day after Christmas with the traditional end-of-year B.O.S. post.

    Merry Christmas and/or Happy Holidays to all.

    -30-
  • Making a Case for the Beauty Dish

    Posted: December 19, 2011, 4:00 pm

    When posting on my four favorite soft light mods, I included a beauty dish but lamented the necessity of a dedicated case to keep it from getting scuffed up. Dishes aren't cheap to begin with, and neither are decent cases.

    Problem solved... Read more »
  • Five-Digit Studio Flash Catfight: Broncolor vs. Profoto

    Posted: December 16, 2011, 10:21 am

    As Profoto and Broncolor battle for supremacy in the high-end studio flash world, things are getting all like, "Rawrrr, nice sweater. Does it come in your size?"

    And just like Lexus and Infinity luxury car ads, they each want to point out their being better in some measurable way. Witness this Broncolor-produced "real-world shootout"… Read more »
  • Brad Trent's In-Camera Digital Man

    Posted: December 14, 2011, 5:05 pm
    I didn't see this on Damn Ugly Photography (sorry Brad) until it was picked up by the Profoto blog, in itself a Damn Good Blog. (Especially when you consider it is run by a buncha tie-wearin' corporate weenies…)

    Brad Trent's "Digital Man" was created in-camera with a mix of surprisingly simple lighting, some crucial on-axis fill … and a $10,000 light mod. Definitely worth a few minutes of lost cubicle productivity on a Wednesday.

    :: Brad Trent's $10K Digital Man ::
    and...
    :: How To Do This for Less Than $10k ::

    -30-
  • Rewind The Flash Bus: Now on Video

    Posted: December 12, 2011, 9:09 pm
    Above: Flash Bus Busted, Phoenix, AZ

    This spring, for reasons still largely unknown to the logical side of my brain, I signed on to a 42-day, 12,531 mile road trip.

    It was not a decision taken lightly. On the one hand, we'd be getting up at oh-dark-thirty every morning after sleeping in a coffin-sized bunk on a moving bus. On the other hand, I'd get to hang out up-close-and-personal with one of the true legends of the photographic community. I am speaking of course of McNally's first assistant, Drew Gurian.

    On April 6th, we pulled into the Pennsylvania Convention center in Philadelphia. By then we pretty much had our stuff together, and the bad jokes weren't getting any better. So we figured we should film it. Read more »
  • Q&A: Controlling the Sun When Using Flash - A Comparative Guide

    Posted: December 8, 2011, 5:58 am
    After Monday's post lighting a soccer player into the sun at a wide aperture, several questions came up via comments and Twitter about the relative benefits of doing this in different ways.

    Yes, there are different ways to do it -- namely ND, high-speed sync and special-chip cameras. Each method has advantages and disadvantages. The full how-to and scorecard, inside. Read more »
  • Read Strobist on Google Currents

    Posted: December 8, 2011, 2:55 am
    With a dozen SB's and a shoe box full of AA's, Strobist is all about being mobile. Google has just launched their answer to Flipboard, and for those of you mobile readers who choose to download the app, the site is available on that platform.

    The app is free for iOS or Android users, and you can download it here.

    Once installed, hit the magnifying glass search icon at the bottom right of the app and search "strobist". It is only US on launch, but that should change soon enough.

    -30-
  • Soccer Through Sunset

    Posted: December 5, 2011, 4:00 pm

    Any time I am shooting an outside portrait and the start time is up to me, I am for an hour before sunset. The reason is simple: You know the light is gonna just get better and better until it is time to wrap it up.

    That's exactly how it was with a shoot last week of local soccer standout Zach Johnson. But this time we veered away from the normal afternoon/sunset game plan a little. Read more »
  • Speedlinks: 'The Office' Edition

    Posted: November 30, 2011, 4:00 pm

    I'm still an old-school guy when it comes to developing projects. I like to keep my ideas on physical surfaces. And without whiteboards in The Cave, we revert to stickies. Like, everywhere.

    Today's speedlinks are office-themed; one an actual shoot-in-a-boring-office solution and another to show what can be done with … a lot of stickies. Read more »
  • Dean Bradshaw: Putting the Pieces Together

    Posted: November 28, 2011, 4:00 pm
    Photos © Dean Bradshaw

    "Photography has taken me to some amazing places and allowed me to meet people I would never have had the opportunity to otherwise meet," says Aussie transplant Dean Bradshaw, who now works in Southern California. "For me it has been a lifestyle and a way of interacting with the world more than just something I do to pay the bills."

    Bradshaw said that he likes to think of photography as the intersection between art and real life. But that intersection doesn't always happen spontaneously. Usually it takes perseverance, serendipity, bootstrapping and an ability to pre-visualize the pieces of a photo before they ever comes together.

    Case in point, the process of creating the image of a San Diego breakdancer, above. Read more »
  • Giving Back With Your Camera

    Posted: November 24, 2011, 7:00 am

    It's Thanksgiving, a day when many people in the US will eat way too much food and then collapse on the couch to watch the Baltimore Ravens beat the San Francisco 49ers on the teevee. (Heh.)

    But thoughts of giving thanks often prompt thoughts of giving back. And there is a lot of collective talent among the readers of this site. So today, a bit of an open thread on ideas for giving back with your camera.

    I'll start off with a few specific suggestions from my own experience, but I would love to hear your thoughts in the comments. Read more »
  • Parabolic Activity

    Posted: November 22, 2011, 3:04 am


    Ever have a problem with onlookers nosey-ing around on a shoot?

    Photographer Radu Dumitrescu (that's his voice on the tape) was shooting in an abandoned house in Bucharest, Romania when a couple of intrepid guys noticed flashing lights inside the house and decided to investigate. When they raised their cell phones to capture hard proof of the afterlife, Radu laid down on the remote trigger and gave them a show.

    They only got one reaction on tape, but Radu said the guys repeatedly came back to the house only to be scared back off again by the flashes. Anyone who can have this much fun with a flash trigger is truly a man after my own heart.

    -30-
  • Learning to See Light

    Posted: November 21, 2011, 4:00 pm

    As photographers, we are pretty intuitive about recognizing interesting ambient light when we see it. But stick a flash and umbrella in our hands and we tend to default to much more standard styles of lighting -- especially at first.

    In the real world, great light rarely comes from 45 degrees up and to the side. So if you want to be able to create more interesting light with your flashes, you should work to better recognize how ambient really works. This way, you can recreate those different looks when you are in control of the light. Read more »
  • Sony Users Finally Get Some Remote Trigger Love

    Posted: November 18, 2011, 8:07 pm
    I don't do a lot of reviews or gear announcements on this site, but I think the Sony version of the Strato II is notable just for the frustrating gap it fills for Sony users.

    Sony's deciding to go with perpetuate Minolta's nonstandard hot shoe after purchasing the company has always left me scratching my head a little. As a result, there has been precious little third party gear support for plug-and-play off-camera lighting.

    That just changed with the release of the Sony-specific version of the Phottix Strato II Multi remotes. By all accounts the standard hot shoe version of the remote is a decent performer, which bodes well for these units.

    If you are a Sony user, hit the jump for specs and links. Read more »
  • Bucket List: A Visit to San Francisco and TWiT

    Posted: November 17, 2011, 8:07 am

    This week I enjoyed my first-ever visit to the city of San Francisco, which is truly an amazing place. On the agenda was lots of hiking, plus trips to Google and Flickr. But I also traveled north to the picture-perfect small town of Petaluma, home of This Week in Tech.

    I drove up there on Tuesday to appear on the TWiT Photo show. For those who missed it live (sadly, also missing the chance to heckle via the live chat room, heh) the archived video is after the jump. Read more »
  • Christian Colberg's Orchestrated Coworker Portraits

    Posted: November 14, 2011, 4:00 pm

    If you get the chance to visit Meyerhoff Symphony Hall in Baltimore, take a moment to view the collection of portraits of BSO musicians on the wall. (Pictured above is violinist Yasouki Tanaka.)

    The photos were done by one of their own, violist Christian Colberg. Shot with minimalist gear over the course of a summer, the project is a template for any amateur photographer with a day job doing something else. In other words, this is what can what can happen when you allow your vocation and your avocation to cross-pollinate. Read more »
  • Nick Fancher: Run-and-Gun with Hard Lights

    Posted: November 9, 2011, 6:43 am


    Columbus, Ohio-based photographer Nick Fancher shoots for JackThreads, which means manic spurts of product, apparel and shoe photos. To that end he shoots guerilla-style, scrounging multiple locations and setups on the quick.

    Which is no problem, as he travels light with RadioPoppers and speedlights, preferring to work without modifiers. This means he can light at modest ranges and easily match or overpower the sun as needed.

    Check out the vid above, in which we follow Nick through a typical multi-product day of shooting. Neat stuff -- I like the multi hard-light look. He tends to crank the flashes to 105mm for extra punch, which also restricts the beam for a cool fall-off.

    And if the name sounds familiar, Nick was featured a little ways back for his Mad Men-themed engagement shoot. If you haven't seen that, it's worth a look.

    (Thanks, Mark!)

    -30-
  • A Flash of Inspiration: The Accidental Backlight

    Posted: November 7, 2011, 4:00 pm

    Strobist reader Philip Rasmusson, from Göteborg, Sweden sent me the above photo, along with a tweet asking:

    "This totally happened by accident, with someone else's flash going off in the back. What do you think?"

    Well, I can tell what you think, Philip. I think you like it, 'cause you were happy to claim it and stick a logo up on it. (Smart man.)

    And any time a happy accident like this happens, bells should go off in your head. In particular, I can think of at least 5 bells going off right now… Read more »
  • Heinz Maier's Insanely Beautiful Water Droplets

    Posted: November 2, 2011, 6:28 pm

    For those of you who like to tinker around with the art of water droplet photography, the bar has just been raised. Significantly.

    Using the hydraulic setup you see above, German photographer Heinz Maier captures the tiny slices of time in which multiple drops of falling water interact with each other.

    The lighting tools, which are not shown here, are very simple: a small DIY cardboard softbox with two flashes (cutting the already fast t.1 times in half) some sample gels (complete with spindle holes, no less) and a lot of creative thinking.

    The results look like complex glass sculptures… Read more »
  • Boot Camp III Assignment #4: Results

    Posted: November 1, 2011, 8:55 am
    Results from Boot Camp III, Assignment #4, in which you were asked to create a "36 Hours In…" style travel package about a place near you.

    This was a more demanding assignment than the first three (which is why it was saved for last) and that really showed in the number of entrants. To those who completed the shoot, congrats. And I hope that you learned more about your own turf by looking at it through the eyes of a potential visitor… Read more »
  • Imitate, then Innovate

    Posted: October 27, 2011, 3:20 pm

    Brownie points to whoever can name the (very famous) artist who created the painting above. Extra bonus points if you can say why it is relevant to how smart photographers can learn their craft. Read more »
  • My Favorite Portable Background Stand is On Sale

    Posted: October 27, 2011, 3:15 pm
    Just a quick heads-up to anyone looking for a portable-but-sturdy BG stand/crossbar setup on a budget: LumoPro is doing an instant rebate on their MF613 background kit. A good deal at $150, the rebate takes it to $125.

    Mine sees near constant use (in several different ways) and has held up great. The rigid crossbar can be used in 2, 3 or 4 sections. Above, it is set up 3-wide to support a queen-sized diffusion sheet.

    Almost all of LumoPro's grip gear is on instant rebate through October 31st. The background stand kit is about 2/3 of the way down on the list, here.

    -30-
  • Backsplash on a Budget: Jaroslav Wieczorkiewicz' Water Angel

    Posted: October 24, 2011, 8:00 am

    The best compliment I can give to a photo is to think of it as a "stopper," meaning that it absolutely demands your full attention when you first see it.

    A couple weeks ago I made a quick trip to London to serve as a lighting consultant on a very cool photo project (more on that later). While there, I worked alongside Polish photographer Jaroslav Wieczorkiewicz -- not even realizing at first that he had been the one who shot the last "stopper" I had seen.

    And even better, he did it with a minimum of gear and buckets full of creativity. Read more »
  • What White Balance for Flash Photography?

    Posted: October 21, 2011, 7:00 pm
    Strobist reader Gabriel Bratescu, of Bucharest, Romania, asks:

    "What white balance setting do you use when you shoot with 1/4 CTO filter, flash or sunny? I find that my indoor pictures that I shoot with Flash WB tend to be a little to warm so I shoot with flash but with Sunny WB."

    Great question Gabriel, and the answer comes down to global color control vs. selective color control. Read more »
  • BrakhaX2: Sketchy Mondays X 52

    Posted: October 19, 2011, 4:00 pm


    So, remember the Sketchy Mondays project, by father/son team Moshe and Eddie Brakha?

    A refresher: Totally self-generated, no-boundary work done every Monday by an A-List commercial studio. Just for the creative spark; just for the hell of it. All of this done with a DSLR and few complementary-gelled hot lights. (Yeah, I know it's not strobe. Just go with it.)

    Check out what happens when you say, "What the hell, let's just shoot something cool on our own, every single week," by scrolling through a few pages on the Sketchy Mondays website. Awesome stuff.

    -30-
  • Emily Knudsen's Baby Veggies

    Posted: October 17, 2011, 5:45 pm

    ©Emily Knudsen

    By David Poller -- As a Boston-based commercial food photographer, Emily Knudsen likes to make sure the groceries are the star of the show. But for a class assignment while still a student at the Hallmark Institute of Photography, bright and silvery metal was on the menu. Her task was to shoot a shiny metal subject so the light would flatter and define, not distract and overwhelm. 

    "No reflections," she was told. And while technically photography depends on light reflecting off something, the point was to shoot a highly reflective metal subject without having the light source show up on the subject as harsh highlights. In essence, the assignment was about controlling specular highlights. Read more »
  • Introducing your North America Correspondent

    Posted: October 17, 2011, 5:40 pm
    Please join me in welcoming David Poller, your Strobist North America / at large correspondent.

    I first met Dave 25 years ago at the University of Florida (go Gators) where we were both studying photojournalism. At UF, "studying photojournalism" meant tolerating classes (except for those taught by Fred Parrish, who really knew his shit) while you worked full-time shooting assignments for the local papers and stringing for AP/UPI.

    Since then Dave has been a staffer at papers from Florida to Alaska, and a pic-ed at the San Diego Union-Tribune. He now is a photo editor at Zuma Press.

    Check out his photography on his website or follow him via Twitter -- which is also the best place to tip him to cool story ideas for Strobist.

    -30-
  • On Assignment: Theresa Daytner, Pt. 2

    Posted: October 13, 2011, 4:00 pm

    Having shot the section front photo of Daytner out in the lobby, we quick-walked the lights into her office area. Working from the back and by swapping just one light mod, we were able to get something pretty different for the inside pages. Read more »
  • On Assignment: Theresa Daytner, Pt. 1

    Posted: October 10, 2011, 10:59 pm

    For a long time, business portraits have been my bread and butter. Specifically, run-and-gun, no-assistant, modest-amount-of-gear biz portraits.

    The editorial clients I have do not have a ton of budget. Thus, my goal is to work efficiently and still produce something that works well for the publication.

    A good recent example was an assignment to photograph Theresa Daytner, a local entrepreneur who is a national rising star in the field of construction. It's a typical enough job to where I thought it would make a good example for a 360-degree look at the process. Read more »
  • Q&A: Speedlight Color Shifts

    Posted: October 6, 2011, 4:00 pm
    In one of the geekier questions I have gotten in a while, reader Kevin House asked via Twitter how color temperature varies with power levels on speedlights.

    The short answer is, it doesn't really vary significantly due to power level differences. But it does vary for other reasons. Read more »
  • Maki Kawakita's Theatrical Light

    Posted: October 3, 2011, 4:30 pm

    Photos ©Maki Kawakita

    By Irwin Wong -- A largely self-taught photographer, Tokyo and New York-based commercial photographer Maki Kawakita now shoots ad campaigns for major Japanese and US brands as well as working on her own series of self-portraits.

    Shown here are Kawakita's photos of Japanese rock icons Glay, which were done in 2009. As with many of her shoots, the location is as much the subject of her photos as are the people.

    How to commandeer a glitzy hotel lobby so she can fill it with her heavily gelled flashes? Turns out that part is pretty easy. It is the lighting itself that's a bit more complex… Read more »
  • Q&A: Avoiding Cross Shadows When Rim-Lighting

    Posted: September 29, 2011, 11:30 am
    Strobist reader Ed Roper asks:
    I've been using a three-light setup, but running into a pesky shadow problem. Below is an example setup shot with the shadows highlighted. As you can see, I'm already using grids to try to cut down on the spill.

    Are these cross shadows just a fact of life when trying to wrap full body like this?

    The good news, Ed, is that you have exactly the light mods you need to do this well. And the fix is easy… Read more »
  • Bjorn Stopped By the House on the Way Home…

    Posted: September 26, 2011, 12:00 pm

    I first met photographer / retoucher Bjorn Holland in London a few years ago, just before he was to head out on a little motorcycle ride. Eighty thousand miles later, he stopped by my house for a visit on the last leg of his round-the-world trip.

    Given that he did not have an official portrait from the journey, we decided to fix that with a trio of speedlights -- and one very big light mod… Read more »
  • If You Build This Fulgurator-on-the-Cheap, Use it for Good

    Posted: September 23, 2011, 9:51 pm
    I totally missed this on DIYPhotography.net until Alim Kassim clued me via Twitter.

    A little bit of quick and easy DIY (and ball bungees!) turns an old film camera into a focusing strobe projector. You can actually buy these things for some models of big lights, but they will cost you some serious coin.

    I'd probably use one differently than did the photog on DIYP. Like maybe painting numbers or something three-dimensionally onto someone's face or something. Great idea to keep in the back pocket, tho.

    If it looks familiar, it is a simplified version of the "Image Fulgurator" created by photographer Julius von Bismark. But he used his for public mischief...

    -30-
  • And Now, Your NSFW Underwear Shoot BTS Video of the Day

    Posted: September 23, 2011, 9:45 pm
    Okay folks, we try to keep it reasonably family friendly here at Strobist. But every now and then something comes along that pretty much says, "Run me."

    The video beyond the jump is NSFW-ish. As in there are nekkid people involved. You don't wanna see? Then don't click. Read more »
  • Mike Kelley: Two-Speedlight Architectural Photography

    Posted: September 21, 2011, 8:30 pm
    Photos ©Michael Kelley

    Two years ago, Los Angeles-based architectural photographer Mike Kelley was 21 years old and working retail for $8.25 an hour. Today, he shoots images like the one above -- using just two Canon speedlights.

    Health Warning: If you were one of the "yeah, but is it photography?" purists who hated on the Lionel Messi post, this piece will probably give you an aneurysm… Read more »
  • Nikon Announces Nikon 1 Mirrorless Cameras

    Posted: September 21, 2011, 5:57 pm

    ...with a proprietary hot shoe. Oh, and a teeny tiny chip, too. It'll take your DSLR lenses, with only a 2.7x crop factor.

    Really, Nikon? Clearly this thing is not a replacement for a DSLR. But what does it compete with? I use an iPhone (and a Canon G-series) for everything else.

    Really hard to understand what they were thinking on this. My thoughts pretty much echo those of Charlie Sorrel at Gadget Lab.

    -30-
  • Needs DISC: BC3 Assignment #4: 36 Hours

    Posted: September 19, 2011, 4:57 pm
    Welcome to the final -- and most difficult -- assignment for Boot Camp 3.

    This one will be more involved than the other three, but the prizes have been amped up to reflect that. And I can honestly say that I do not know a single editorial photographer who would not be happy to receive this exact assignment. Read more »
  • Choosing Extension Cords for Plug-In Strobes

    Posted: September 15, 2011, 7:00 am

    Before considering an expensive battery pack or generator for your big lights, don't overlook the obvious. Extension cords are a cheap and reliable way to get power to your studio strobes.

    A couple hundred feet of power cable and a little advance scouting will solve the vast majority of your location needs. But be careful not to skimp. Here's how to choose a good extension cord for your strobes. Read more »
  • On Assignment: Stephanie Barnes

    Posted: September 12, 2011, 7:00 am

    Shooting against sunset usually looks pretty good, even with just one light. So much so, that can keep you from experimenting with that second or third light that can give your photos more texture and depth.

    Most of my sunset photos lately seem to be done with two lights, one for shape and one for detail. But the third light added to the photo of soprano Stephanie Barnes above was a great help, and will definitely affect the way I shoot portraits at dusk from now on. Read more »
  • Andrew Pinkham's Renaissance Pet Portraits

    Posted: September 8, 2011, 6:00 pm
    Photos © Andrew Pinkham

    It's not often one comes across someone doing interesting photography via the Lolcats website. But that is exactly where I found out about Andrew Pinkham.

    Based in Philadelphia, his work occupies a space somewhere between digital portrait photographer and Old Master painter. He is just as comfortable with a Nikon speedlight as he is with turning a photograph into a painterly illustration in post.

    An interesting destination, to be sure. But how does someone go about arriving at a style like this? Read more »
  • Boot Camp III Assignment #3: Results

    Posted: September 6, 2011, 7:08 am
    Results from Assignment #3, in which you were asked to choose a relatively large object or scene to photograph, and enhance the ambient with one or two small flashes.

    Inside, four finals -- two from the U.S., one from Scotland and another from Malaysia. Read more »
  • A Master Class in Messi Lighting

    Posted: September 1, 2011, 4:33 pm
    (Photo ©Gary Land)

    At only 24 years old, Lionel Messi is the best soccer player in the world, period. Anyone who tells you different (save it for the comments, folks) is probably biased toward some Messi-less team.

    Photographer Gary Land photographed him for an Adidas shoe campaign, using seemingly every light mod in the Profoto catalog. And as you can see in the BTS video below, pretty much every square inch of Mssr. Messi gets its own light -- with the shoes being just a little bit brighter than everything else, of course... Read more »
  • Chris Waind's Epic NZSO Compositions

    Posted: August 29, 2011, 7:57 am
    Photos ©Chris Waind. Click on any pic to embiggen.

    Wellington, New Zealand-based photographer/illustrator Chris Waind used a motley crew of inexpensive lights -- along with some Photoshop and a lot of creativity -- to create a visual campaign for the New Zealand Symphony Orchestra.

    The goal: to lower the age demo of the audience and raise ticket sales. When the dust had settled, ticket sales were up 20% during a recession.

    Keep reading for sketches, final images, a BTS vid and a full interview with Chris. Read more »
  • Ikeya Tomohide: Drawn to Water

    Posted: August 25, 2011, 4:00 pm

    Photos ©Ikeya Tomohide

    By Irwin Wong -- Tokyo-based commercial/advertising photographer Ikeya Tomohide [池谷友秀] creates images that feature people in the context of water. He uses simple, dramatic lighting and execution -- combined with complex themes -- to create powerful photos.

    A scuba diver before he was a photographer, Ikeya's series of Wave, Breath and Moon demonstrate the value of using personal experience to fuel own your creative process. Read more »
  • Introducing Your Asia Correspondent

    Posted: August 25, 2011, 3:59 pm
    Please join me in welcoming Irwin Wong to Strobist. He specializes in editorial, portrait and commercial photography. And as the new Asia correspondent, his job will be to search out photographers in that region doing kickass work for profiles and BTS's.

    Bilingual in English and Japanese, Irwin's first task will be to dive into the rich and vibrant photo culture in Japan. Case in point: Did you know you can walk up to a newsstand in Japan and buy any one of a number of photo mags that specialize in feature after feature of behind-the-scenes lighting breakdowns?

    I'm thinking there is a lot of cool stuff waiting to come out of Japan, and Irwin is our "in".

    Please feel free to help him out with any tips (especially you Japanese readers) via Twitter @IrwinWong. You can check out some of Irwin's own work at IrwinWong.com.

    -30-
  • Tweaking Dusk: Howard County Fair

    Posted: August 22, 2011, 6:00 pm

    All throughout the '1990s if it was the second week in August I knew exactly where I would be -- at the Howard County Fair.

    I was a staffer at Patuxent Publishing, a (then) photo-conscious chain of weekly papers. Issues were commonly over 200 pages. And since they ran the results of every 4H judging in the fair, I knew I would have 28(!) pages of listings to fill with photography.

    They gave me most of the week to shoot, print and caption, and ran the photos huge in B&W. I was happy as a pig in mud.

    So when choosing photos for the culture section of my Howard County Guide project, I knew I wanted to go back and include something from the fair. Read more »
  • BC3 Assignment #3: Think Big

    Posted: August 18, 2011, 8:00 pm
    The subject for assignment #2 was nice and small in size; very manageable. This will not be the case for assignment #3.

    In fact, the subject for this assignment will almost certainly be too big to light completely with your small flashes. Read more »
  • This Is Your Brain, On Light

    Posted: August 17, 2011, 7:13 pm


    Lest anyone doubt the ability of lighting to manipulate our minds, here's a quick little illusion to scramble your brain. I read the full explanation on the YouTube page (you'll have to click 'show more' under the video there) and I think I understand it. Maybe.

    But my brain is still a little scrambled by the fact that what looks like a shadow in the checkerboard isn't actually a shadow. It's a tone.

    -30-

    [BrussPup via Giz]
  • Christoph Martin Schmid BTS: Scream

    Posted: August 15, 2011, 7:01 am

    ©Christoph Martin Schmid

    By Sara Lando -- There is something about Berlin photographer Christoph Martin Schmid's work that makes the viewer uneasy. His images are suspended, eerie and polished to the point they seem to transcend reality. His ability to compress a whole story into one single frame has allowed him to land international advertising campaigns and become widely recognized.

    Today we go behind the scenes with this image from his Scream!! series. Read more »
  • Introducing Your Europe Correspondent

    Posted: August 15, 2011, 7:00 am
    Please join me in welcoming Sara Lando to Strobist. Sara is a commercial/editorial photographer based near Venice, Italy. But this winter she will be spending four months in Los Angeles to broaden her exposure. So you LA photogs might wanna include her in your gatherings.

    If the name rings a bell it may be because she was profiled on this site back in 2007.

    Sara's mission is to seek out kickass photographers in Europe and to interview them about the images they are producing. You can help her by tweeting to her (@Bruko) any tips and suggestions for story ideas. (She's well worth a follow, too.)

    You can check out her photography at SaraLando.com.

    -30-